Moreno is in the choose group EGOT winners — individuals who have earned an Emmy, Grammy, Oscar and Tony. Now 89, she’s launched in the movie at a celebration celebrating her 87th birthday, providing a fast demonstration of what a pressure of nature she stays. (She additionally stays outspoken, having waded into the controversy over “In the Heights” whereas showing on Stephen Colbert’s program.)
As for her accomplishments — together with an Academy Award for “West Side Story,” and a function in its upcoming remake from Steven Spielberg — producer Norman Lear, who featured Moreno in his reboot of “One Day at a Time,” says, “I can’t think of anyone I’ve ever met in the business who lived the American dream more.”

Yet as director Mariem Pérez Riera’s crisply made movie makes clear, for the little lady who moved from Puerto Rico to New York together with her mom as a little one, fulfilling that dream meant overcoming all of the impediments thrown at her, and enduring the indignities that went with being an actress of colour — even one who consciously sought to resemble Elizabeth Taylor when she auditioned as a teenager — throughout these years.

Moreno met with studio mogul Louis B. Mayer at age 16, impressing him sufficient to land a studio contract. But these years got here with being “treated like a sex object,” as she recollects, which included being despatched on “pretend dates” with actors by the studio’s publicity division and being solid in an assortment of “native girl” roles that prompted her to good an all-purpose accent.

“I wanted to turn the parts down, but that’s all that was offered,” Moreno says, noting that the message from her bosses got here by means of “loud and clear: Shut up and be sexy.”

Being attractive additionally meant being crudely propositioned by Columbia Pictures boss Harry Cohn (fleeing a celebration to keep away from him) and, she says, being raped by her agent — a story she shares whereas watching protection of Supreme Court Justice Brett Kavanaugh’s affirmation hearings in 2018, snapping tart commentary on the TV.

Unlike Rita Hayworth, who masked her cultural id, Moreno turned it into an asset with “West Side Story,” though even her acclaimed function in that film did not open the floodgates as one might need anticipated. The paucity of worthwhile elements pressured her to maintain reinventing herself, from her Tony-winning stage function in “The Ritz” to TV work starting from kids’s sequence “The Electric Company,” whose album earned her a Grammy, to the grim jail drama “Oz.”

Off display screen, Moreno engaged in activism that included the civil-rights motion and endured a prolonged and poisonous romance with Marlon Brando. Clips from her function reverse Brando in the 1969 film “The Night of the Following Day” tackle a totally different hue listening to her focus on their dysfunctional relationship and the emotional scars she bore from it.

Produced by, amongst others, Lear and “Hamilton’s” Lin-Manuel Miranda, “Just a Girl Who Decided to Go For It” conveys the highs and lows of Moreno’s life, whereas that includes an astute lineup of speaking heads, together with teachers, friends like “West Side Story” co-star George Chakiris and Karen Olivo, who performed the Anita function on Broadway. Those conversations think about the battles nonetheless being fought — underscored by the “In the Heights” colorism debate — in addition to the extent to which subsequent generations owe a debt to Moreno’s struggles and triumphs.

The web impact is a tribute to all that Moreno achieved over the course of a 70-year profession, tempered by an equally bittersweet asterisk: How excessive would this “girl” have flown, given her skills, with out going through these formidable headwinds?

“Rita Moreno: Just a Girl Who Decided to Go For It” premieres in theaters on June 18.

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