“We wrote the first draft around January 28. It was me, Michael Price and Joel Cohen and David Silverman directed. And we really worked nonstop from late January right till the end of last week,” Jean tells CNN. “You may think, ‘Wow, three minutes. How could you take so long?’ You know, it takes a long time to make something look casual.”

The story, out now in honor of the May 4 “Star Wars” fan-observed vacation, finds the youngest Simpson spending the day at Jabba’s Hut Jedi Preschool and amongst “Star Wars” familiars — every little thing from child Wookiees to child droids. She then should battle the darkish facet to retrieve her beloved pacifier.

The short, which runs about three and a half minutes in size, is one of what’s anticipated to be a number of shorts to return from “The Simpsons” staff, because of a deal struck between Disney+ and government producer James L. Brooks again in January.

Working with LucasFilm was “great,” in line with Jean, including that the solely restriction positioned on them was their use of the beloved Grogu, also referred to as “the Child” or “Baby Yoda.”

“Grogu is the most popular character created anywhere in fiction in the last year, and you don’t want to overexpose him,” Jean says. “So they let us do a little tribute to him but not a big reference, which I think is great.”

At one level, the Mandalorian himself made an look in the short, however it in the end obtained reduce from the piece.

“There was a scene where we had the parents picking up the kids, and the Mandalorian was one of them,” Jean says. “What happened was once we hit on it as a story between Maggie and BB-8, we just eliminated everything that wasn’t pertinent to that story.”

Jean, nevertheless, would welcome the alternative to play in the “Star Wars” universe once more in the future.

“I would love it that,” he says. “The Phantom menace poster [in the credits], where you see like the shadow of the pacifier, that was David Silverman’s drawing. And I [said], ‘Yeah, that gives you all sorts of ideas.'”

Also obtainable to them for future shorts is the entire library of Disney properties, from Marvel to Pixar (“I’m in animation, but I think they’re the best in animation”).

“It’s really a great set of material,” he says. “And, by the way, I subscribe to Disney+, you know. I pay. So I think it’s a fantastic package. I mean, I truly do.”

Yes, he pays.

“I did get one year free, but when it came to be renewed, I gladly did,” he says.

Future shorts will probably be tied to different key dates on the Disney+ calendar, Jean stated. In reality, he simply discovered that November 12 is the second anniversary of Disney+, “so we might do something for that, too.”

Jean is not any stranger to the arduous work that animation requires — short or in any other case. But the prospect of one other full-length function, he says, is one factor that is still up in the air.

“The feature nearly killed us,” he says. “And one side issue of another movie, which we’ve talked about, is I believe that the feature market is really backed up right now. I mean, there has to be so many terrific films and animated films already in development that somebody said, they’re going to have like a big movie come out every week in the fall. So that would certainly delay it.”

He provides: “But, I mean, we were really happy when we did the film — when we were done and could look back at it. I’m really proud of it. So, I would be happy to do another. We wouldn’t do it unless we really thought it deserved a full movie treatment and was worth into the viewer. We wouldn’t do it just for the money.”

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